They(the X books) tend to be repetitive in the kind of stories that they have been told for the past couple of decades. As people got more and more frustrated the stuff got more and more destructive and that's why whenever you come onto an X-Men book and you make a list of characters you want to use, half of them are dead, half of them don't have powers, half of them just came back from being dead and somebody's pitching that they're gonna kill them again, I mean, like the fandom of the X-Men, the books themselves had become a really dark and destructive place, and I don't think that's good.
The other thing is, it doesn't mean anything when we kill characters in our books anymore, because everybody knows that the ip is coming back and it doesn't have the impact. And I've said this in the writers room and stuff like this, we need to stop telling stories about killing characters. I understand sometimes narratively you want to do something dramatic, but let me tell you, as a storytelling mechanism, walking in the room and kicking all the toys over isn't a good look anymore. It's not the kind of stories that people want to read. It's not actually helpful in terms of you doing your job five years down the road. It's actually makes all of our jobs incredibly difficult.
But you know the other reason is just that, like I've said earlier, I want us to be telling positive stories about the characters. And ..here is a tangential thing, but it illustrates the point: we've gotten a bunch of pitches in about X-Men stuff. As soon as I took over, we've started getting pitches in. All the pitches..not all, but a lot of the pitches were literally breaking ****. It kinda proved my point that what everybody is expecting to happen is for the other **** to drop and everything to not work, and everything to go bad. And the radical storytelling choice here of doing positive books where people don't die ... One of the reasons why I did the resurrection stuff was not only because I wanted everybody to be able to have all the mutants back without us doing like literally 30 issues of bringing characters back in various ways. We've brought everybody back and we made it so that if you told a story where they died, it's a plot device and not a emotional hammering of the reader. Like you can't play it as 'oh my God this is awful and terrible', like you have to be more creative than that. I've challenged all of the X writers to.. it's just fine if you have a story where a character has to die, that's fine, but what's the other story? Like what's the more interesting story? ”