Originally Posted by
Robanker
Sure, but it's the reason he has to kill him, the tone of the scene and the context that drives the issue.
For what it's worth, I'd rather have had Clark cover Zod's eyes by inching his hands closer to them, shielding the family. If Zod's heat vision ripped through Clark's hand, sure, that's enough to convince most audience members that he's out of options. Or try some other option to reach the same point. But he's presented with "kill me or they die" and tries nothing else. It's realistic, but Superman isn't about just dealing with a **** hand. He always at least tries for a better option. It seemed like he gave up.
Even then, had he stuck around and we got a montage (I believe you posted this as well) where he helped rebuild/rescue survivors while still shell-shocked over his actions, again it would have helped immensely.
But Snyder's Superman kills Zod, screams in regret, and then it's a cut away to a Superman who has dealt with the immediate aftermath and is now just healing. We were robbed of the emotional payoff in MoS. BvS (yes, even the ultimate edition) didn't do enough to really establish Clark and his relationship with the sanctity of life. A lot of it came from the audience's existing knowledge of the character's ethos. I would argue this is a problem for everyone in the film. It banks on you knowing who these characters are and that what we're experiencing with them is atypical.
I agree, that Superman has killed will endure regardless of if it's being referenced in the source material, much like how popular elseworlds books and adaptions are brought into discussion, but what really matters is everything surrounding that fact. Zack Snyder has a lot of fans, and while I'm not one of them, his plan was flawed in that he joined rank with many Moore impersonators who saw what the former did prior and wanted to imitate that. His entire approach seemed, frankly, misguided. Much moreso in BvS, which feels a bit too corporate when you realize they took the two best-selling trades of each character (DKR, Death of Superman) and tried to mash them together into one mega-blockbuster.
Snyder notes that "It’s a cool point of view to be like, ‘My heroes are still innocent. My heroes didn’t f------ lie to America. My heroes didn’t embezzle money from their corporations. My heroes didn’t commit any atrocities.’ That’s cool. But you’re living in a f------ dream world" and to that point I simply argue that those aren't my heroes. I question why he even addresses them as such, and why he tries to frame embezzling liars guilty of atrocities as heroes. I realize he's half-joking, but that train of thought betrays rather neatly why he's the wrong person to spearhead a universe of people who are, above all else, selfless in nature and in service of their fellow men and women.